Solid State Logic 8000G+ 56 Channels,
32 E-eq, 24 G-eq, Ultimation and Total Recall

Audient ASP 4816, 48-fader In-line Recording/Mixing Console with 4-band EQs,
16 x Class A Mic Pres

Studer A827 2″ 24-Track Tape Machine
Endless Analog CLASP
Pro Tools HD 10 – 48 Analog I/O
Pro Tools HD 10 – 24 Analog I/O
Pro Tools HD 10 – 8 Analog I/O

Neve1073 (4)
Neve1081 (4)
BAE 1023 (2)
Calrec PQ1161 (4)
API 3124+ (4 preamps)
BAE API (2)
API 550a EQ (2)
API 560 graphic EQ (2)
A-Design HAMMER HM2EQ
GML 8200 Parametric EQ
Pultec EQP-1S3 (2)

Anamod AM660
Anamod AM670
API 2500 Bus Compressor
SSL G Quad Compressor
Shadow Hills Mastering Compressor
(coming soon!)
Purple Audio MC77 (2)
1176 Rev. A, Handbuilt (2)
LA2A (2)
Empirical Labs DerrEsser
Empirical Labs EL8X Distressor (2)
Black Lion Audio AGB Stereo Compressor
FMR RNC

AMS Neve DMX 15-80S Delay
Bricasti M7 Reverb
Lexicon PCM96
Lexicon 224 XL
Lexicon PCM42 (2)
Lexicon PCM70
Eventide Eclipse 3
Eventide H3000 D/SE
TC Electronics 2290 (2)

Studio A Control Room Monitors:
Dynaudio M3A Mains w/Custom X-overs
and Bryston 14B and 4B Amplifiers
KS Digital ADM20
Yamaha NS10m w/ Bryston 4B amp
Focal Solo6 BE Nearfield Monitors (4)

Studio A Live Room Monitoring:
Hear Technologies Hearback System
Event 20/20 Nearfields (for listen-back from control room)